Tipe Rumah Modern 2016 Murah

Tipe Rumah Modern 2016 Murah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Tipe Rumah Modern 2016 Murah

Tipe Rumah Modern 2016 Murah

Tempat Rumah Modern 2016 Murah

Tempat Rumah Modern 2016 Murah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Tempat Rumah Modern 2016 Murah

Tempat Rumah Modern 2016 Murah

Harga Rumah Modern 2016 Murah

Harga Rumah Modern 2016 Murah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Harga Rumah Modern 2016 Murah

Harga Rumah Modern 2016 Murah

Jual Rumah Modern 2016 Murah

Jual Rumah Modern 2016 Murah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Jual Rumah Modern 2016 Murah

Jual Rumah Modern 2016 Murah

Cari Rumah Modern 2016 Murah

Cari Rumah Modern 2016 Murah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Cari Rumah Modern 2016 Murah

Cari Rumah Modern 2016 Murah

Tipe Rumah Impian 2016 Murah

Tipe Rumah Impian 2016 Murah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Tipe Rumah Impian 2016 Murah

Tipe Rumah Impian 2016 Murah

Tempat Rumah Impian 2016 Murah

Tempat Rumah Impian 2016 Murah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Tempat Rumah Impian 2016 Murah

Tempat Rumah Impian 2016 Murah

Harga Rumah Impian 2016 Murah

Harga Rumah Impian 2016 Murah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Harga Rumah Impian 2016 Murah

Harga Rumah Impian 2016 Murah

Jual Rumah Impian 2016 Murah

Jual Rumah Impian 2016 Murah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Jual Rumah Impian 2016 Murah

Jual Rumah Impian 2016 Murah

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Saco-Indonesia.com - Tangga seringkali menjadi bagian yang "terbuang" di dalam rumah.

Saco-Indonesia.com - Tangga seringkali menjadi bagian yang "terbuang" di dalam rumah. Meski diperlukan, tangga menyisakan bagian kosong di bawahnya. Hal ini bisa diakali dengan menjadikan bagian kosong tersebut sebagai lemari, bahkan pantry, atau sofa "tersembunyi" yang nyaman.

Arsitek asal Swiss, Guillaume Burri bekerja sama dengan perusahaan yang bergerak di bidang desain produk, Big-Game, punya solusi untuk masalah ini.

Big-Game diminta untuk merenovasi interior bekas pabrik di daerah pedesaan Eclépens, di dekat Danau Geneva, Swiss. Pabrik tersebut dibagi menjadi dua apartemen sewa. Guillaume Burri tampaknya ingin memaksimalkan ruang di dalam interior apartemen yang begitu kompak, di sinilah peran Big-Game. 

Mereka mendesain boxy unit dari kayu yang menggabungkan berbagai fungsi dalam rumah, yaitu tangga, tempat penyimpanan, dan dapur.

"Idenya adalah menciptakan furnitur yang akan mengikutsertakan berbagai kebutuhan di dalam rumah, seperti tangga, tempat penyimpanan, dapur, dan lainnya," ujar para desainer.

Para desainer menggunakan lembaran kayu bergurat tegas yang sudah diolesi minyak. Penggunaan kayu jenis ini menambah tekstur, daya tarik, serta kehangatan dalam ruangan minimalis berwarna putih. Hasilnya, tidak hanya cantik, namun juga cerdas.

Untuk tangga, Big-Game memanfaatkan pijakan anak tangga sebagai lemari untuk sisi lain tangga tersebut. Big-Game juga membuat tangga yang terintegrasi dengan lemari dan dapur, meja belajar sekaligus lemari pakaian, serta meja belajar sepanjang ruangan. Meja belajar yang memenuhi salah satu dinding ruangan tersebut juga tampil apik mengisi ruangan minimalis.

Proyek unik ini juga melibatkan Wood Concept sebagai realisator ide Big-Game. Ide ini tentunya juga bisa diadaptasi di rumah Anda!

Sumber :www.dezeen.com/kompas.com
Editor : Maulana Lee

Toko-BungaTangerang merupakan Tania Group yang didirikan oleh ibu Holy sejak tahun 1999, beliau telah aktif  merangkai jauh

Toko- BungaTangerang merupakan Tania Group yang didirikan oleh ibu Holy sejak tahun 1999, beliau telah aktif  merangkai jauh sebelumnya. Beliau juga bergabung menjadi anggota IPBI (Ikatan Perangkai Bunga Indonesia). Pada awalnya tahun 1992 s/d sekarang beliau mengikuti kegiatan sosial perangkai bunga di ST.Maria, kegiatan pelayanan tersebut yang membuat ibu Holy semakin mencintai merangkai bunga dan memutuskan untuk menekuni profesi sebagai perangkai bunga profesional. Beliau mengikuti pendidikan formal dari tingkat dasar sampai tingkat advace/ahli telah diikutinya. Keahlian dalam pengelolaan Florist pun diturunkan kepada anak dan menantunya.

 

 

Kami adalah pelopor toko online di wilayah Tangerang Selatan. Toko bunga Papan Tangerang telah berdiri sejak th. 1999.

 

Veronica Tania

 Berikut Sedikit Menjelaskan Kenapa Kebanyakan Lampu Sorot Berwarna Kuning, Ini Adalah karena Efek Tyndall. Penampilan s

 Berikut Sedikit Menjelaskan Kenapa Kebanyakan Lampu Sorot Berwarna Kuning, Ini Adalah karena Efek Tyndall.

Penampilan system koloid pada umumnya keruh, tetapi tidak selalu begitu. Beberapa ‘larutan’ koloid tampak “bening” dan sukar dibedakan dengan larutan sejati. Bagaimanakah cara mengenali system koloid? Salah satu cara yang sangat sederhana yaitu dengan menjatuhkan seberkas cahayakepadanya. Larutan sejati meneruskan cahaya (transparan), sedangkan koloid menghamburkannya. Oleh karena itu, berkas cahaya yang melalui koloid dapat di amati dari arah samping. Efek Tyndall ini ditemukan oleh John Tyndall (1820-1893), seorang ahli fisika Inggris. Oleh karena itu sifat itu disebut efek Tyndall.
 
Efek Tyndall adalah adanya gejala penghamburan berkas cahaya oleh partikel-partikel koloid. Apabila seberkas cahaya dijatuhkan ke dalam sistem koloid, maka cahaya akan dihamburkan. Apabila seberkas cahaya dijatuhkan ke dalam sistem larutan, maka cahaya akan diteruskan.
 

Dalam Kehidupan sehari-hari, kita sering mengamati efek Tyndall ini, antara lain:

 
  •   sorot lampu pada malam yang berkabut
  • sorot lampu proyektor dalam gedung bioskop yang berasap /berdebu, dan
 
  • berkas sinar matahari melalui celah daun pohon pada pagi hari yang berkabut.
 
 

 

Efek  Tyndall tidak sama untuk setiap sinar yang mempunyai panjang gelombang berbeda. Sinar kuning, misalnya, lebih sedikit dihamburkan. Itulah sebabnya lampu warna kuning dipakai pada saat berkabut, di mana cahaya kuning dapat menembus kabut dan terlihat oleh pemakai jalan.

Karena Inilah kenapa kebanyakan lampu sorot berwarna kuning senja.

By Tensai

http://lampusorot.com

Seorang wanita telah ditemukan tewas di tanah kosong di Jalan Siliwangi RT 01/02 Kel. Pondok Benda, Kec. Pamulang, Tangerang Selatan, Selasa (11/3) kemarin siang. Diduga ia telah menjadi korban pembunuhan.

Seorang wanita telah ditemukan tewas di tanah kosong di Jalan Siliwangi RT 01/02 Kel. Pondok Benda, Kec. Pamulang, Tangerang Selatan, Selasa (11/3) kemarin siang. Diduga ia telah menjadi korban pembunuhan.

Korban yang belum diketahui identitasnya tersebut telah ditemukan tergeletak di kebon tanah kosong. Perempuan yang diperkirakan berusian 28-30 tahun tersebut luka memar di mata akibat lebam. Ia mengenakan kaos merah dan celana blue jeans.

Korban yang mempunyai ciri-ciri tinggi badan 160 cm, berat badan 60 kg, ada tanda luka mata memar dan diperkirakan dua hari tewas. Selain itu, perempuan malang ini mengalami luka pada kaki kanan dan tangan kiri dua luka dan di bagian perut ada dua luka diduga akibat luka tusuk.

Kasat Reskrim Polres Jaksel, AKBP Novi Thursanurrohmad, menerangkan pihaknya masih harus menyelidiki kasus tersebut. “Kami masih mintai keterangan saksi-saksi,” katanya. Jasad korban di kirim ke RS Fatmawati guna keperluan otopsi.

Bagi yang gak bisa buat logo dan males pusing.. mendingan coba generator online ini.. lumayan bisa digunakan buat logo sederhana bahkan logo animasi yang tentunya di sesuaikan dengan templete yang ada

ini adalah sebuah generator grafis GRATIS untuk halaman web dan di mana pun Anda memerlukan logo mengesankan tanpa banyak karya desain. Cukup memilih jenis gambar yang Anda inginkan. Kemudian mengisi formulir dan Anda akan memiliki gambar kustom Anda sendiri dibuat dengan cepat.

Silahkan klik link ini : http://cooltext.com/

Pengertian mesin CNC CNC singkatan dari Computer Numerically Controlled, merupakan mesin perkakas yang dilengkapi dengan sistem

Pengertian mesin CNC
CNC singkatan dari Computer Numerically Controlled, merupakan mesin perkakas yang dilengkapi dengan sistem mekanik dan kontrol berbasis komputer yang mampu membaca instruksi kode N, G, F, T, dan lain-lain, dimana kode-kode tersebut akan menginstruksikan ke mesin CNC agar bekerja sesuai dengan program benda kerja yang akan dibuat. Secara umum cara kerja mesin perkakas CNC tidak berbeda dengan mesin perkakas konvensional. Fungsi CNC dalam hal ini lebih banyak menggantikan pekerjaan operator dalam mesin perkakas konvensional. Misalnya pekerjaan setting tool atau mengatur gerakan pahat sampai pada posisi siap memotong, gerakan pemotongan dan gerakan kembali keposisi awal, dan lain-lain. Demikian pula dengan pengaturan kondisi pemotongan (kecepatan potong, kecepatan makan dan kedalaman pemotongan) serta fungsi pengaturan yang lain seperti penggantian pahat, pengubahan transmisi daya (jumlah putaran poros utama), dan arah putaran poros utama, pengekleman, pengaturan cairan pendingin dan sebagainya. Mesin perkakas CNC dilengkapi dengan berbagai alat potong yang dapat membuat benda kerja secara presisi dan dapat melakukan interpolasi yang diarahkan secara numerik (berdasarkan angka). Parameter sistem operasi CNC dapat diubah melalui program perangkat lunak (software load program) yang sesuai. Tingkat ketelitian mesin CNC lebih akurat hingga ketelitian seperseribu millimeter, karena penggunaan ballscrew pada setiap poros transportiernya. Ballscrew bekerja seperti lager yang tidak memiliki kelonggaran/spelling namun dapat bergerak dengan lancar. Pada awalnya mesin CNC masih menggunakan memori berupa kertas berlubang sebagai media untuk mentransfer kode G dan M ke sistem kontrol. Setelah tahun 1950, ditemukan metode baru mentransfer data dengan menggunakan kabel RS232, floppy disks, dan terakhir oleh Komputer Jaringan Kabel

(Computer Network Cables) bahkan bisa dikendalikan melalui internet. Akhir-akhir ini mesin-mesin CNC telah berkembang secara menakjubkan sehingga telah mengubah industri pabrik yang selama ini menggunakan tenaga manusia menjadi mesin-mesom otomatik. Dengan telah berkembangnya Mesin CNC, maka benda kerja yang rumit sekalipun dapat dibuat secara mudah dalam jumlah yang banyak. Selama ini pembuatan komponen/suku cadang suatu mesin yang presisi dengan mesin perkakas manual tidaklah mudah, meskipun dilakukan oleh seorang operator mesin perkakas yang mahir sekalipun. Penyelesaiannya memerlukan waktu lama. Bila ada permintaan konsumen untuk membuat komponen dalam jumlah banyak dengan waktu singkat, dengan kualitas sama baiknya, tentu akan sulit dipenuhi bila menggunakan perkakas manual. Apalagi bila bentuk benda kerja yang dipesan lebih rumit, tidak dapat diselesaikan dalam waktu singkat. Secara ekonomis biaya produknya akan menjadi mahal, hingga sulit bersaing dengan harga di pasaran. Tuntutan konsumen yang menghendaki kualitas benda kerja yang presisi, berkualitas sama baiknya, dalam waktu singkat dan dalam jumlah yang banyak, akan lebih mudah dikerjakan dengan mesin perkakas CNC (Computer Numerlcally Controlled), yaitu mesin yang dapat bekerja melalui pemogramman yang dilakukan dan dikendalikan melalui komputer. Mesin CNC dapat bekerja secara otomatis atau semiotomatis setelah diprogram terlebih dahulu melalui komputer yang ada. Program yang dimaksud merupakan program membuat benda kerja yang telah direncanakan atau dirancang sebelumnya. Sebelum benda kerja tersebut dieksikusi atau dikerjakan oleh mesin CNC, sebaikanya program tersebut di cek berulang-ualang agar program benarbenar telah sesuai dengan bentuk benda kerja yang diinginkan, serta benar-benar dapat dikerjakan oleh mesin CNC. Pengecekan tersebut dapat melalui layar monitor yang terdapat pada mesin atau bila tidak ada fasilitas cheking melalui monitor (seperti pada CNC TU EMCO 2A/3A) dapat pula melalui plotter yang dipasang pada tempat dudukan pahat/palsu frais. Setelah program benar-benar telah berjalan seperti rencana, baru kemudian dilaksanakan/dieksekusi oleh mesin CNC. Dari segi pemanfaatannya, mesin perkakas CNC dapat dibagi menjadi dua, antara lain: (a) mesin CNC Training unit (TU), yaitu mesin yang digunakan sarana pendidikan, dosen dan training. (b) mesin CNC produktion unit (PU), yaitu mesin CNC yang digunakan untuk membuat benda kerja/komponen yang dapat digunakan sebagai mana mestinya. Dari segi jenisnya, mesin perkakas CNC dapat dibagi menjadi tiga jenis, antara lain: (a) mesin CNC 2A yaitu mesin CNC 2 aksis, karena gerak pahatnya hanya pada arah dua sumbu koordinat (aksis) yaitu koordinat X, dan koordinat Z, atau dikenal dengan mesin bubut CNC, (b) mesin CNC 3A, yaitu mesin CNC 3 aksis atau mesin yang memiliki gerakan sumbu utama kearah sumbu koordinat X, Y, dan Z, atau dikenal dengan mesin frsais CNC. (c) mesin CNC kombinasi, yaitu mesin CNC yang mampu mengerjakan pekerjaan bubut dan freis sekaligus, dapat pula dilengkapi dengan peralatan pengukuran sehingga dapat melakukan pengontrolan kualitas pembubutan/pengefraisan pada benda kerja yang dihasilkan. Pada umumnya mesin CNC yang sering dijumpai adalah mesin CNC 2A (bubut) dan mesin CNC 3A (frais).

Para pemilik kendaraan bermotor di wilayah Jabodetabek harus sudah memiliki alat identifikasi konsumsi BBM bersubsidi atau radio frequency identification (RFID) sebelum 1 Oktober 2013.

JAKARTA, Saco-Indonesia.com - Para pemilik kendaraan bermotor di wilayah Jabodetabek harus sudah memiliki alat identifikasi konsumsi BBM bersubsidi atau radio frequency identification (RFID) sebelum 1 Oktober 2013. Adapun alat tersebut sudah bisa diperoleh mulai 1 Juli.

VP Corporate Communication Pertamina, Ali Mundakir menuturkan pihaknya akan menyediakan RFID di sejumlah SPBU yang ada di Jakarta. Setelah 1 Oktober, para pembeli BBM bersubsidi harus sudah memiliki alat tersebut. "Kalau tidak memilikinya, masyarakat tidak bisa membeli premium maupun solar," ujarnya kepada Kompas.com Jumat (31/5/2013).

Dia mengatakan untuk tahap awal pemasangan RFID hanya untuk mengidentifikasi kendaraan yang mengonsumsi BBM bersubsidi. Adapun data yang akan direkam melalui alat tersebut adalah nomor polisi, waktu pembelian BBM bersubsidi terakhir, hingga tempat pembeliannya.

"Untuk sementara, alat akan hanya untuk keperluan identifikasi," lanjutnya.

Sebelumnya, Wakil Menteri ESDM, Susilo Siswoutomo mengatakan bahwa pengadaan alat ukur tersebut dilakukan melalui proses tender oleh PT Pertamina (Persero). Hasilnya, PT INTI ditetapkan sebagai pemenang tender pengadaan sistem pengendalian BBM bersubsidi dengan menggunakan teknologi. 

Susilo menjelaskan, RFID rencananya mulai dipasang di wilayah Jabodetabek pada Juli nanti sebagai tahap awal. Selanjutnya, pemasangan alat pembaca data kendaraan itu akan dipasang pada semua kendaraan di seluruh wilayah Jawa.  "Kalau RFID sudah dipasang, maka kendaraannya bisa langsung dimonitor," katanya.

Dengan menggunakan sistem itu, maka pemerintah dapat membatasi konsumsi BBM bersubsidi agar tidak melampaui kuota untuk BBM bersubsidi.

 
Editor :Liwon Maulana
Sumber:Kompas

Jika dikatakan kepada Anda hanya sebuah kata, apa saja boleh, ambillah misalnya kata “air”. apa yang langsung hadir

Jika dikatakan kepada Anda hanya sebuah kata, apa saja boleh, ambillah misalnya kata “air”. apa yang langsung hadir dipikiran Anda?akan ada beribu-ribu jawaban yang muncul, cair, minum, haus, segar, larutan, Aqua, dll. Dari 100 orang yang berbeda akan memberikan lebih dari 1000 jawaban berbeda. Kata yang hadir dipikran anda disebut logical sequence, atau kata populernya  asosiasi. Kenapa disebut logical sequence..? karena kata tersebut dapat dengan mudah dihubungkan dengan kata kunci utama. Contoh air dan minu memiliki hubungan logika “digunakan”, yaitu Air digunakan untuk Minum. Air dengan Cair memiliki hubungan “logika jenis”, dan seterusnya.

Berbagai macam asosiasi yang digunakan untuk suatu kata kunci muncul karena adanya koneksi antara sel saraf (neuron) tertentu dimana tempat informasi kata kunci berada dengan neuron lainnya yang berisi info mengenai kata asosiasi. Namun jika dalam berpikir selalu menggunakan logical sequence yang simple, akan terperangkap pada zona pola pikir yang biasa, dan sudah banyak dipikirkan orang lain. Disinilah yang harus dilakukan untuk berani berfikir keluar, thinking ut of the box, berpikir kreatif, seharusnya menggunakan pola pikir yang berbeda, keluar dari zona yang biasa, yaitu pola pikir lateral.
tentang pola pikir lateral sudah dijelaskan dalam artikel sebelumnya di http://saco- indonesia.com/?backlink=222&idd=208

Pola pikir lateral digunakan untuk mencari ide baru bisa dilakukan dengan  4 tahap dibawah ini :
1. Pilih Fokus Anda,
2. Ambil salah satu Logical Sequence,
3. Buat Lateral Displacement,
4. Ciptakan Koneksi.

Yang harus dilakukan pertama kali dan paling penting adalah memilih fokus pikiran apa yang akan dilakukan. Apakah ingin mencari ide pengembangan untuk air, maka fokusnya pada air. Setelah Mendapat fokus, seperti paragraf pertama, ambil kata yang paling cepat muncul di benak Anda. Ingin melakukan percobaan Terhadap Api?, maka fokusnya adalah suatu proses spesifik dalam api. Kita lanjut ke tahap ke 3. Carilah kata apa saja yang tidak berhubungan. Seperti Api Diatas Air Atau Api Dibawah Air. Disinilah yang disebut thinking out of the box. Tahap berikutnya adalah mencari hubungan dengan otak kiri rasional kita. Kalau begitu, apakah mungkin Api berada diatas air??..?

Contoh yang nyata di dunia ini adalah magma yang berada dibawah laut. Namun bisa dikembangkan menjadi sesuatu yang dapat digunakan manusia dalam kehidupan. Bisa di buat sebuah box yang berisi air bercahaya karena didalamnya ada api.

Sekali kita menemukan kata yang lateral dengan fokus kita, akan muncul banyak pertanyaan yang memaksa otak logis untuk menjawab. Elaborasi jawaban dari berbagai pertanyaan logis terkait hubungan ini akan membawa kita pada sebuah ide kreatif.

Ms. Meadows was the older sister of Audrey Meadows, who played Alice Kramden on “The Honeymooners.”

Mr. Mankiewicz, an Oscar-nominated screenwriter for “I Want to Live!,” also wrote episodes of television shows such as “Star Trek” and “Marcus Welby, M.D.”

WASHINGTON — The last three men to win the Republican nomination have been the prosperous son of a president (George W. Bush), a senator who could not recall how many homes his family owned (John McCain of Arizona; it was seven) and a private equity executive worth an estimated $200 million (Mitt Romney).

The candidates hoping to be the party’s nominee in 2016 are trying to create a very different set of associations. On Sunday, Ben Carson, a retired neurosurgeon, joined the presidential field.

Senator Marco Rubio of Florida praises his parents, a bartender and a Kmart stock clerk, as he urges audiences not to forget “the workers in our hotel kitchens, the landscaping crews in our neighborhoods, the late-night janitorial staff that clean our offices.”

Gov. Scott Walker of Wisconsin, a preacher’s son, posts on Twitter about his ham-and-cheese sandwiches and boasts of his coupon-clipping frugality. His $1 Kohl’s sweater has become a campaign celebrity in its own right.

Senator Rand Paul of Kentucky laments the existence of “two Americas,” borrowing the Rev. Dr. Martin Luther King Jr.’s phrase to describe economically and racially troubled communities like Ferguson, Mo., and Detroit.

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Senator Marco Rubio of Florida praises his parents, a bartender and a Kmart stock clerk. Credit Joe Raedle/Getty Images

“Some say, ‘But Democrats care more about the poor,’ ” Mr. Paul likes to say. “If that’s true, why is black unemployment still twice white unemployment? Why has household income declined by $3,500 over the past six years?”

We are in the midst of the Empathy Primary — the rhetorical battleground shaping the Republican presidential field of 2016.

Harmed by the perception that they favor the wealthy at the expense of middle-of-the-road Americans, the party’s contenders are each trying their hardest to get across what the elder George Bush once inelegantly told recession-battered voters in 1992: “Message: I care.”

Their ability to do so — less bluntly, more sincerely — could prove decisive in an election year when power, privilege and family connections will loom large for both parties.

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Questions of understanding and compassion cost Republicans in the last election. Mr. Romney, who memorably dismissed the “47 percent” of Americans as freeloaders, lost to President Obama by 63 percentage points among voters who cast their ballots for the candidate who “cares about people like me,” according to exit polls.

And a Pew poll from February showed that people still believe Republicans are indifferent to working Americans: 54 percent said the Republican Party does not care about the middle class.

That taint of callousness explains why Senator Ted Cruz of Texas declared last week that Republicans “are and should be the party of the 47 percent” — and why another son of a president, Jeb Bush, has made economic opportunity the centerpiece of his message.

With his pedigree and considerable wealth — since he left the Florida governor’s office almost a decade ago he has earned millions of dollars sitting on corporate boards and advising banks — Mr. Bush probably has the most complicated task making the argument to voters that he understands their concerns.

On a visit last week to Puerto Rico, Mr. Bush sounded every bit the populist, railing against “elites” who have stifled economic growth and innovation. In the kind of economy he envisions leading, he said: “We wouldn’t have the middle being squeezed. People in poverty would have a chance to rise up. And the social strains that exist — because the haves and have-nots is the big debate in our country today — would subside.”

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Who Is Running for President (and Who’s Not)?

Republicans’ emphasis on poorer and working-class Americans now represents a shift from the party’s longstanding focus on business owners and “job creators” as the drivers of economic opportunity.

This is intentional, Republican operatives said.

In the last presidential election, Republicans rushed to defend business owners against what they saw as hostility by Democrats to successful, wealthy entrepreneurs.

“Part of what you had was a reaction to the Democrats’ dehumanization of business owners: ‘Oh, you think you started your plumbing company? No you didn’t,’ ” said Grover Norquist, the conservative activist and president of Americans for Tax Reform.

But now, Mr. Norquist said, Republicans should move past that. “Focus on the people in the room who know someone who couldn’t get a job, or a promotion, or a raise because taxes are too high or regulations eat up companies’ time,” he said. “The rich guy can take care of himself.”

Democrats argue that the public will ultimately see through such an approach because Republican positions like opposing a minimum-wage increase and giving private banks a larger role in student loans would hurt working Americans.

“If Republican candidates are just repeating the same tired policies, I’m not sure that smiling while saying it is going to be enough,” said Guy Cecil, a Democratic strategist who is joining a “super PAC” working on behalf of Hillary Rodham Clinton.

Republicans have already attacked Mrs. Clinton over the wealth and power she and her husband have accumulated, caricaturing her as an out-of-touch multimillionaire who earns hundreds of thousands of dollars per speech and has not driven a car since 1996.

Mr. Walker hit this theme recently on Fox News, pointing to Mrs. Clinton’s lucrative book deals and her multiple residences. “This is not someone who is connected with everyday Americans,” he said. His own net worth, according to The Milwaukee Journal Sentinel, is less than a half-million dollars; Mr. Walker also owes tens of thousands of dollars on his credit cards.

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But showing off a cheap sweater or boasting of a bootstraps family background not only helps draw a contrast with Mrs. Clinton’s latter-day affluence, it is also an implicit argument against Mr. Bush.

Mr. Walker, who featured a 1998 Saturn with more than 100,000 miles on the odometer in a 2010 campaign ad during his first run for governor, likes to talk about flipping burgers at McDonald’s as a young person. His mother, he has said, grew up on a farm with no indoor plumbing until she was in high school.

Mr. Rubio, among the least wealthy members of the Senate, with an estimated net worth of around a half-million dollars, uses his working-class upbringing as evidence of the “exceptionalism” of America, “where even the son of a bartender and a maid can have the same dreams and the same future as those who come from power and privilege.”

Mr. Cruz alludes to his family’s dysfunction — his parents, he says, were heavy drinkers — and recounts his father’s tale of fleeing Cuba with $100 sewn into his underwear.

Gov. Chris Christie of New Jersey notes that his father paid his way through college working nights at an ice cream plant.

But sometimes the attempts at projecting authenticity can seem forced. Mr. Christie recently found himself on the defensive after telling a New Hampshire audience, “I don’t consider myself a wealthy man.” Tax returns showed that he and his wife, a longtime Wall Street executive, earned nearly $700,000 in 2013.

The story of success against the odds is a political classic, even if it is one the Republican Party has not been able to tell for a long time. Ronald Reagan liked to say that while he had not been born on the wrong side of the tracks, he could always hear the whistle. Richard Nixon was fond of reminding voters how he was born in a house his father had built.

“Probably the idea that is most attractive to an average voter, and an idea that both Republicans and Democrats try to craft into their messages, is this idea that you can rise from nothing,” said Charles C. W. Cooke, a writer for National Review.

There is a certain delight Republicans take in turning that message to their advantage now.

“That’s what Obama did with Hillary,” Mr. Cooke said. “He acknowledged it openly: ‘This is ridiculous. Look at me, this one-term senator with dark skin and all of America’s unsolved racial problems, running against the wife of the last Democratic president.”

Mr. Alger, who served five terms from Texas, led Republican women in a confrontation with Lyndon B. Johnson that may have cost Richard M. Nixon the 1960 presidential election.

Even as a high school student, Dave Goldberg was urging female classmates to speak up. As a young dot-com executive, he had one girlfriend after another, but fell hard for a driven friend named Sheryl Sandberg, pining after her for years. After they wed, Mr. Goldberg pushed her to negotiate hard for high compensation and arranged his schedule so that he could be home with their children when she was traveling for work.

Mr. Goldberg, who died unexpectedly on Friday, was a genial, 47-year-old Silicon Valley entrepreneur who built his latest company, SurveyMonkey, from a modest enterprise to one recently valued by investors at $2 billion. But he was also perhaps the signature male feminist of his era: the first major chief executive in memory to spur his wife to become as successful in business as he was, and an essential figure in “Lean In,” Ms. Sandberg’s blockbuster guide to female achievement.

Over the weekend, even strangers were shocked at his death, both because of his relatively young age and because they knew of him as the living, breathing, car-pooling center of a new philosophy of two-career marriage.

“They were very much the role models for what this next generation wants to grapple with,” said Debora L. Spar, the president of Barnard College. In a 2011 commencement speech there, Ms. Sandberg told the graduates that whom they married would be their most important career decision.

In the play “The Heidi Chronicles,” revived on Broadway this spring, a male character who is the founder of a media company says that “I don’t want to come home to an A-plus,” explaining that his ambitions require him to marry an unthreatening helpmeet. Mr. Goldberg grew up to hold the opposite view, starting with his upbringing in progressive Minneapolis circles where “there was woman power in every aspect of our lives,” Jeffrey Dachis, a childhood friend, said in an interview.

The Goldberg parents read “The Feminine Mystique” together — in fact, Mr. Goldberg’s father introduced it to his wife, according to Ms. Sandberg’s book. In 1976, Paula Goldberg helped found a nonprofit to aid children with disabilities. Her husband, Mel, a law professor who taught at night, made the family breakfast at home.

Later, when Dave Goldberg was in high school and his prom date, Jill Chessen, stayed silent in a politics class, he chastised her afterward. He said, “You need to speak up,” Ms. Chessen recalled in an interview. “They need to hear your voice.”

Years later, when Karin Gilford, an early employee at Launch Media, Mr. Goldberg’s digital music company, became a mother, he knew exactly what to do. He kept giving her challenging assignments, she recalled, but also let her work from home one day a week. After Yahoo acquired Launch, Mr. Goldberg became known for distributing roses to all the women in the office on Valentine’s Day.

Ms. Sandberg, who often describes herself as bossy-in-a-good-way, enchanted him when they became friendly in the mid-1990s. He “was smitten with her,” Ms. Chessen remembered. Ms. Sandberg was dating someone else, but Mr. Goldberg still hung around, even helping her and her then-boyfriend move, recalled Bob Roback, a friend and co-founder of Launch. When they finally married in 2004, friends remember thinking how similar the two were, and that the qualities that might have made Ms. Sandberg intimidating to some men drew Mr. Goldberg to her even more.

Over the next decade, Mr. Goldberg and Ms. Sandberg pioneered new ways of capturing information online, had a son and then a daughter, became immensely wealthy, and hashed out their who-does-what-in-this-marriage issues. Mr. Goldberg’s commute from the Bay Area to Los Angeles became a strain, so he relocated, later joking that he “lost the coin flip” of where they would live. He paid the bills, she planned the birthday parties, and both often left their offices at 5:30 so they could eat dinner with their children before resuming work afterward.

Friends in Silicon Valley say they were careful to conduct their careers separately, politely refusing when outsiders would ask one about the other’s work: Ms. Sandberg’s role building Facebook into an information and advertising powerhouse, and Mr. Goldberg at SurveyMonkey, which made polling faster and cheaper. But privately, their work was intertwined. He often began statements to his team with the phrase “Well, Sheryl said” sharing her business advice. He counseled her, too, starting with her salary negotiations with Mark Zuckerberg.

“I wanted Mark to really feel he stretched to get Sheryl, because she was worth it,” Mr. Goldberg explained in a 2013 “60 Minutes” interview, his Minnesota accent and his smile intact as he offered a rare peek of the intersection of marriage and money at the top of corporate life.

 

 

While his wife grew increasingly outspoken about women’s advancement, Mr. Goldberg quietly advised the men in the office on family and partnership matters, an associate said. Six out of 16 members of SurveyMonkey’s management team are female, an almost unheard-of ratio among Silicon Valley “unicorns,” or companies valued at over $1 billion.

When Mellody Hobson, a friend and finance executive, wrote a chapter of “Lean In” about women of color for the college edition of the book, Mr. Goldberg gave her feedback on the draft, a clue to his deep involvement. He joked with Ms. Hobson that she was too long-winded, like Ms. Sandberg, but aside from that, he said he loved the chapter, she said in an interview.

By then, Mr. Goldberg was a figure of fascination who inspired a “where can I get one of those?” reaction among many of the women who had read the best seller “Lean In.” Some lamented that Ms. Sandberg’s advice hinged too much on marrying a Dave Goldberg, who was humble enough to plan around his wife, attentive enough to worry about which shoes his young daughter would wear, and rich enough to help pay for the help that made the family’s balancing act manageable.

Now that he is gone, and Ms. Sandberg goes from being half of a celebrated partnership to perhaps the business world’s most prominent single mother, the pages of “Lean In” carry a new sting of loss.

“We are never at 50-50 at any given moment — perfect equality is hard to define or sustain — but we allow the pendulum to swing back and forth between us,” she wrote in 2013, adding that they were looking forward to raising teenagers together.

“Fortunately, I have Dave to figure it out with me,” she wrote.

As governor, Mr. Walker alienated Republicans and his fellow Democrats, particularly the Democratic powerhouse Richard J. Daley, the mayor of Chicago.

Mr. Paczynski was one of the concentration camp’s longest surviving inmates and served as the personal barber to its Nazi commandant Rudolf Höss.

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Frontline  An installment of this PBS program looks at the effects of Ebola on Liberia and other countries, as well as the origins of the outbreak.
Frontline

Frontline An installment of this PBS program looks at the effects of Ebola on Liberia and other countries, as well as the origins of the outbreak.

The program traces the outbreak to its origin, thought to be a tree full of bats in Guinea.

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