Jual Rumah Cantik Termurah RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Jual Rumah Cantik Termurah
Jual Rumah Cantik Termurah salah satu devisi dari KATV Group untuk yang bergerak di bidang agen properti. Saat ini baru menawarkan properti-properti KATV Group yang ada di beberapa kota untuk dijual. Jadi properti yang ditawarkan adalah milik sendiri. Jual Rumah Cantik Termurah
Ini adalah kesalahpahaman bahwa bila membuat akuarium, setiap pencahayaan fixture akan dilakukan. Hal ini juga sebenarnya tidak
Ini adalah kesalahpahaman bahwa bila membuat akuarium, setiap pencahayaan fixture akan dilakukan. Hal ini juga sebenarnya tidak demikian pencahayaan akuarium yang tepat adalah penting untuk dapat menjaga akuarium sehat dan ikan yang sehat.
Berbagai jenis akuarium telah memiliki kebutuhan pencahayaan yang sangat berbeda. Anda juga akan perlu melakukan beberapa riset ke dalam jenis ikan Anda berniat untuk memperoleh dan apa kebutuhan spesifik mereka. Sebuah faktor penting adalah apakah atau tidak Anda akan menjaga tanaman air tawar atau air asin terumbu. Jumlah dan jenis cahaya air Anda perlu tergantung pada faktor-faktor ini.
Ada lima jenis utama dari lampu akuarium. Lima jenis utama adalah lampu neon biasa, lampu fluorescent kompak, lampu fluorescent output tinggi dan sangat tinggi, halida logam, dan Light Emitting Dioda (LED). Masing-masing lampu telah melayani tujuan yang berbeda untuk pencahayaan akuarium.
Lampu neon biasa diterima untuk yang paling segar dan ikan laut. Anda akan ingin memilih cahaya agar sesuai kap di atas akuarium Anda. Sebuah spektrum neon penuh adalah ide yang baik untuk dapat memastikan bahwa ikan Anda menyerap semua panjang gelombang yang diperlukan untuk dapat membuat mereka tetap sehat.
Jika Anda berniat untuk memiliki tanaman hidup dalam akuarium air tawar, pencahayaan yang berbeda mungkin diperlukan. Tanaman membutuhkan sinar panjang gelombang cahaya tertentu untuk dapat menghasilkan energi melalui fotosintesis yang mereka tergantung pada untuk bertahan hidup. Setiap jenis tanaman akan memiliki kebutuhan sendiri pencahayaan. Anda harus penelitian tanaman untuk arah tertentu. Sebuah pedoman umum untuk tanaman akuarium pencahayaan adalah 2-5 watt cahaya per galon air dalam akuarium Anda.
Air asin akuarium dengan karang hidup atau non-ikan organisme akan membutuhkan pencahayaan yang sangat khusus. Tank ini memerlukan lampu output tinggi atau sangat tinggi fluorescent atau halida logam. Tank ini perlu 4 sampai 10 watt cahaya per galon air akuarium. Klasifikasi ini akuarium pencahayaan cenderung telah menghasilkan panas yang harus diperlakukan dengan benar untuk mencegah overheating akuarium Anda. Perlengkapan khusus dengan dibangun pada penggemar mungkin diperlukan untuk membubarkan panas tambahan. Dalam beberapa kasus, Anda bahkan mungkin perlu chiller untuk menyimpan air dan suhu yang sesuai untuk ikan anda.
Bagian penting lainnya dari pencahayaan akuarium Anda adalah hari / siklus malam. Timer listrik dianjurkan untuk dapat menjaga ikan Anda pada jadwal rutin dan agar tidak stres mereka. Simulator sinar rembulan LED dapat diperoleh untuk spesies sangat halus untuk meniru panjang gelombang lembut yang dilepaskan oleh bulan di alam. Cara terbaik untuk menentukan apakah atau tidak Anda akan perlu penambahan ini untuk sistem pencahayaan air Anda untuk benar-benar penelitian ikan Anda berniat untuk membeli.
BANDA ACEH IBARAT KOTA MATI
saco-indonesia.com, Pemerintah Kota (Pemkot) Banda Aceh akan menggelar renungan tsunami di pelataran Balai Kota Banda Aceh. Dala
saco-indonesia.com, Pemerintah Kota (Pemkot) Banda Aceh akan menggelar renungan tsunami di pelataran Balai Kota Banda Aceh. Dalam renungan itu, selain tausiah yang akan disampaikan oleh Ary Ginanjar, juga ada pemutaran film saat Aceh dilanda tsunami.
Ribuan pengunjung telah terlihat khidmat saat menonton film tsunami yang diputarkan oleh panitia. Kemudian usai pemutaran film, salah seorang musisi putra Aceh, Raffly Kande langsung menyanyikan lagu berjudul "Aneuk Yatim" (Anak Yatim).
Wakil Wali Kota Banda Aceh, Illiza Sa'aduddin Djamal juga mengatakan, setelah tsunami kota Banda Aceh ibarat kota mati. Banda Aceh telah hancur porak-poranda dan juga ribuan masyarakat telah kehilangan tempat tinggal dan juga keluarganya.
"Saat itu Banda Aceh memang jadi kota mati pasca tsunami. Wali kota saat itu Syarifuddin Latif yang juga ikut menjadi korban tsunami, Banda Aceh memang telah menjadi kota mati," kata Illiza Sa'aduddin Djamal, Rabu (25/12) malam di Balai Kota Banda Aceh.
Illiza juga menegaskan, ia telah menjadi saksi hidup dalam melakukan pembangunan kota Banda Aceh yang porak-poranda dihantam tsunami 9 tahun silam. Ribuan masyarakat telah kehilangan tempat tinggal, keluarga, dan kota Banda Aceh rata dengan tanah disapu oleh gelombang tsunami. Dan, kini Banda Aceh juga sudah kembali pulih dan tertata rapi kembali.
Atas dasar itulah, Illiza telah menyebutkan Wali Kota Banda Aceh, Mawardi Nurdin telah menjadi bapak pembangunan kota Banda Aceh. Di tengah-tengah porak-poranda Banda Aceh, ia telah berhasil kembali membangun Banda Aceh seperti saat ini yang tertata rapi.
"Bapak Mawardi Nurdin layak kita sebut sebagai bapak pembangunan di Banda Aceh," tegasnya.
Kendati demikian, Illiza juga tidak menampik pembangunan di Banda Aceh juga atas bantuan banyak pihak. Baik pihak Pemerintah Indonesia maupun pihak dunia internasional. "Terimakasih yang telah membantu Banda Aceh, baik TNI, polisi dan juga dunia internasional," imbuhnya.
Editor : Dian Sukmawati
Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet
Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.
It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.
As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.
An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.
Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.
“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.
Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.
“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”
In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.
“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”
Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.
“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.
She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”
Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.
“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”
United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.
JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.
Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.
Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.
“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.
Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.
Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.
Still, some contributors say they wish the magazine were more widely circulated.
“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”
G.O.P. Hopefuls Now Aiming to Woo the Middle Class
WASHINGTON — The last three men to win the Republican nomination have been the prosperous son of a president (George W. Bush), a senator who could not recall how many homes his family owned (John McCain of Arizona; it was seven) and a private equity executive worth an estimated $200 million (Mitt Romney).
The candidates hoping to be the party’s nominee in 2016 are trying to create a very different set of associations. On Sunday, Ben Carson, a retired neurosurgeon, joined the presidential field.
Senator Marco Rubio of Florida praises his parents, a bartender and a Kmart stock clerk, as he urges audiences not to forget “the workers in our hotel kitchens, the landscaping crews in our neighborhoods, the late-night janitorial staff that clean our offices.”
Gov. Scott Walker of Wisconsin, a preacher’s son, posts on Twitter about his ham-and-cheese sandwiches and boasts of his coupon-clipping frugality. His $1 Kohl’s sweater has become a campaign celebrity in its own right.
Senator Rand Paul of Kentucky laments the existence of “two Americas,” borrowing the Rev. Dr. Martin Luther King Jr.’s phrase to describe economically and racially troubled communities like Ferguson, Mo., and Detroit.
“Some say, ‘But Democrats care more about the poor,’ ” Mr. Paul likes to say. “If that’s true, why is black unemployment still twice white unemployment? Why has household income declined by $3,500 over the past six years?”
We are in the midst of the Empathy Primary — the rhetorical battleground shaping the Republican presidential field of 2016.
Harmed by the perception that they favor the wealthy at the expense of middle-of-the-road Americans, the party’s contenders are each trying their hardest to get across what the elder George Bush once inelegantly told recession-battered voters in 1992: “Message: I care.”
Their ability to do so — less bluntly, more sincerely — could prove decisive in an election year when power, privilege and family connections will loom large for both parties.
Questions of understanding and compassion cost Republicans in the last election. Mr. Romney, who memorably dismissed the “47 percent” of Americans as freeloaders, lost to President Obama by 63 percentage points among voters who cast their ballots for the candidate who “cares about people like me,” according to exit polls.
And a Pew poll from February showed that people still believe Republicans are indifferent to working Americans: 54 percent said the Republican Party does not care about the middle class.
That taint of callousness explains why Senator Ted Cruz of Texas declared last week that Republicans “are and should be the party of the 47 percent” — and why another son of a president, Jeb Bush, has made economic opportunity the centerpiece of his message.
With his pedigree and considerable wealth — since he left the Florida governor’s office almost a decade ago he has earned millions of dollars sitting on corporate boards and advising banks — Mr. Bush probably has the most complicated task making the argument to voters that he understands their concerns.
On a visit last week to Puerto Rico, Mr. Bush sounded every bit the populist, railing against “elites” who have stifled economic growth and innovation. In the kind of economy he envisions leading, he said: “We wouldn’t have the middle being squeezed. People in poverty would have a chance to rise up. And the social strains that exist — because the haves and have-nots is the big debate in our country today — would subside.”
Republicans’ emphasis on poorer and working-class Americans now represents a shift from the party’s longstanding focus on business owners and “job creators” as the drivers of economic opportunity.
This is intentional, Republican operatives said.
In the last presidential election, Republicans rushed to defend business owners against what they saw as hostility by Democrats to successful, wealthy entrepreneurs.
“Part of what you had was a reaction to the Democrats’ dehumanization of business owners: ‘Oh, you think you started your plumbing company? No you didn’t,’ ” said Grover Norquist, the conservative activist and president of Americans for Tax Reform.
But now, Mr. Norquist said, Republicans should move past that. “Focus on the people in the room who know someone who couldn’t get a job, or a promotion, or a raise because taxes are too high or regulations eat up companies’ time,” he said. “The rich guy can take care of himself.”
Democrats argue that the public will ultimately see through such an approach because Republican positions like opposing a minimum-wage increase and giving private banks a larger role in student loans would hurt working Americans.
“If Republican candidates are just repeating the same tired policies, I’m not sure that smiling while saying it is going to be enough,” said Guy Cecil, a Democratic strategist who is joining a “super PAC” working on behalf of Hillary Rodham Clinton.
Republicans have already attacked Mrs. Clinton over the wealth and power she and her husband have accumulated, caricaturing her as an out-of-touch multimillionaire who earns hundreds of thousands of dollars per speech and has not driven a car since 1996.
Mr. Walker hit this theme recently on Fox News, pointing to Mrs. Clinton’s lucrative book deals and her multiple residences. “This is not someone who is connected with everyday Americans,” he said. His own net worth, according to The Milwaukee Journal Sentinel, is less than a half-million dollars; Mr. Walker also owes tens of thousands of dollars on his credit cards.
But showing off a cheap sweater or boasting of a bootstraps family background not only helps draw a contrast with Mrs. Clinton’s latter-day affluence, it is also an implicit argument against Mr. Bush.
Mr. Walker, who featured a 1998 Saturn with more than 100,000 miles on the odometer in a 2010 campaign ad during his first run for governor, likes to talk about flipping burgers at McDonald’s as a young person. His mother, he has said, grew up on a farm with no indoor plumbing until she was in high school.
Mr. Rubio, among the least wealthy members of the Senate, with an estimated net worth of around a half-million dollars, uses his working-class upbringing as evidence of the “exceptionalism” of America, “where even the son of a bartender and a maid can have the same dreams and the same future as those who come from power and privilege.”
Mr. Cruz alludes to his family’s dysfunction — his parents, he says, were heavy drinkers — and recounts his father’s tale of fleeing Cuba with $100 sewn into his underwear.
Gov. Chris Christie of New Jersey notes that his father paid his way through college working nights at an ice cream plant.
But sometimes the attempts at projecting authenticity can seem forced. Mr. Christie recently found himself on the defensive after telling a New Hampshire audience, “I don’t consider myself a wealthy man.” Tax returns showed that he and his wife, a longtime Wall Street executive, earned nearly $700,000 in 2013.
The story of success against the odds is a political classic, even if it is one the Republican Party has not been able to tell for a long time. Ronald Reagan liked to say that while he had not been born on the wrong side of the tracks, he could always hear the whistle. Richard Nixon was fond of reminding voters how he was born in a house his father had built.
“Probably the idea that is most attractive to an average voter, and an idea that both Republicans and Democrats try to craft into their messages, is this idea that you can rise from nothing,” said Charles C. W. Cooke, a writer for National Review.
There is a certain delight Republicans take in turning that message to their advantage now.
“That’s what Obama did with Hillary,” Mr. Cooke said. “He acknowledged it openly: ‘This is ridiculous. Look at me, this one-term senator with dark skin and all of America’s unsolved racial problems, running against the wife of the last Democratic president.”