Jual Kavling di Sentul Nirwana

Rp 1.908.000.000

Lahan Kebun Murah Sentul Nirwana Residence RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL).

Lahan Kebun Murah Sentul Nirwana Residence RumahCantikku.com adalah salah satu devisi dari KATV Group untuk yang bergerak di bidang agen properti. Saat ini baru menawarkan properti-properti KATV Group yang ada di beberapa kota untuk dijual. Jadi properti yang ditawarkan adalah milik sendiri. Lahan Kebun Murah Sentul Nirwana Residence

Lahan Kebun Murah Sentul Nirwana Residence

Jakarta, Dalam keseharian, orang awam kadang susah mengenali jenis-jenis narkoba karena wujudnya bisa bermacam-macam. Bahkan ada

Jakarta, Dalam keseharian, orang awam kadang susah mengenali jenis-jenis narkoba karena wujudnya bisa bermacam-macam. Bahkan ada juga narkoba yang dikemas dalam bentuk obat pelangsing. Hati-hati, jangan sembarangan minum obat untuk langsing.

"Memang ada. Amfetamin namanya, fungsinya untuk menekan rasa lapar," kata dr Titi Sekarindah, MS, SpGK, pakar diet dari RS Pertamina saat dikonfirmasi detikHealth, Rabu (6/3/2013).

Amfetamin yang dimaksud dr Titi merupakan psikotropika golongan II, yang penggunaanya dibatasi hanya untuk terapi. Obat ini digolongkan sebagai obat keras yang tidak boleh dikonsumsi sembarangan, hanya hanya dibeli di apotek dengan resep dokter.

Dalam obat pelangsing, amfetamin memiliki efek stimulansia yang membuat pemakainya tidak pernah kehabisan energi. Hampir sama dengan ekstasi karena masih satu keluarga, yakni membuat orang jadi ingin selalu bergerak tanpa pernah mengenal lelah.

Di sisi lain, obat ini juga menekan nafsu makan. Efek ini sering dimanfaatkan untuk melangsingkan tubuh karena pemakainya jadi tidak doyan makan, namun selalu merasa kelebihan energi untuk terus bergerak. Nah, di sinilah bahaya amfetamin sebagai obat pelangsing.

"Bahayanya ya adiksi, jadi nggak doyan makan. Kalorinya turun, lama-lama kurang gizi," kata dr Titi.

Soal narkoba dalam obat pelangsing juga disampaikan mantan anggota Dewan Pengawas Narkotika Internasional, Sri Suryowati. Menurut dia, narkoba bukan saja zat yang membuat teler. Tetapi narkoba juga termasuk obat yang membuat fungsi tubuh jadi berlipat tanpa capek.

"Obat pelangsing secara drastis, itu semua juga termasuk narkoba. Jenis zat psikoaktif baru," kata Sri dalam 'Laporan Tahunan Dewan Pengawas Narkotika Internasional (International Narcotic Control Board/INCB)' dengan tema 'Legal Haze' di Menara Thamrin, Jalan MH Thamrin, Jakarta Pusat, Selasa (5/3) kemarin.

Lebih jauh tentang kandungan narkoba dalam obat pelangsing akan diulas oleh para pakar kesehatan dalam ulasan khusus detikHealth hari ini. Ikuti terus artikel berikutnya.

jasa pembuatan website

saco-indonesia.com, Aksi tindak kejahatan menjelang akhir tahun di Kota Bandung semakin semarak. Sabtu subuh, kawanan garong ber

saco-indonesia.com, Aksi tindak kejahatan menjelang akhir tahun di Kota Bandung semakin semarak. Sabtu subuh, kawanan garong berpistol telah menggasak uang Rp 100 juta dari VIT Money Changer Authorized di Jalan IR H Juanda (Dago) No. 10, Bandung. Pelaku telah berhasil melumpuhkan kasir yang bernama Kiki yang berusia 21 taun , dengan cara diikat dan disekap di gudang.

Keterangan telah menyebutkan, perampokan yang telah menimpa money changer berlangsung Sabtu dinihari (28/12) kemarin sekitar pukul 04.30 dini hari. Aksi ini telah terjadi ketika kondisi money changer tidak terkunci dan ditinggal petugas keamanan yang menjaganya.

“ Kondisi pintu tidak dikunci saat ditinggal petugas. Alasanya, di dalam ada kasir yang sedang tidur,“ kata Rudi yang berusia 55 tahun , petugas kantor tadi. Dia juga menjelaskan, pelaku masuk melalui benteng dengan menggunakan sepeda motor dengan nomor polisi D 3350 HM sebagai pijakanya.

Mereka masuk, kemudian menyergap Kiki yang sedang tidur. Kasir ditodong pistol dan disekap di salah satu ruangan. “ Rampok masuk saat Pak Ciko, anggota Brimob, keluar dari ruangan ada keperluan, “ tambah Rudi.

Anggota Brimob lainya, Hegar, juga mengaku kaget, karena saat masuk money changer pukul 05.00 pagi untuk menggantikan tugas, menemukan Kiki yang disekap di salah satu ruangan dengan mulut dilakban dan kaki tanganya diikat. “ Saya yang melepaskan korban,“ akunya. Korban pun telah menceritakan seputar perampokan, tambah dia.

Kapolsek Bandung Wetan, Kompol Herryanto, juga menjelaskan, kawanan garong berpistol beraksi di tempat penukaran uang asing. Berdasar keterangan, pelaku dengan menggunakan pistol. Uang yang dibawa kabur lebih kurang Rp 100 juta. Uang itu didapat dari brankas setelah pelaku memaksa kasir untuk membukanya. “ Kasir tak melawan karena lehernya ditempeli pistol,“ ungkap Kapolsek.


Editor : Dian Sukmawati

Photo
 
United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

The 6-foot-10 Phillips played alongside the 6-11 Rick Robey on the Wildcats team that won the 1978 N.C.A.A. men’s basketball title.

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