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Rumah Impian Murah Depok RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL). Rumah Impian Murah Depok

Rumah Impian Murah Depok salah satu devisi dari KATV Group untuk yang bergerak di bidang agen properti. Saat ini baru menawarkan properti-properti KATV Group yang ada di beberapa kota untuk dijual. Jadi properti yang ditawarkan adalah milik sendiri. Rumah Impian Murah Depok

Rumah Impian Murah Depok

    saco-indonesia.com,     We go by the name of R, A to the N     We're th

    saco-indonesia.com,

    We go by the name of R, A to the N
    We're three normal guys tryin to make new friends by
    Making music that you guys understand
    And if you guys like it, we appreciate it, then..
    Let's start the show, rock the boat, but don't stop because you can't stop the flow
    Go on dressed up, because the party's about to start on one, two, three, four!

    (Chorus)

    Indahnya warna warni dunia dunia yang terasa indah di dalam asaku
    Oh betapa indah hidup ini saat ku dimabuk asmara
    Oo getar-getar cinta yang telah tumbuh diantara kita
    Menambah indahnya kisah cinta kita berdua

    (Chorus)

    Yeah, when I saw you on friendster
    Then I added you as my friend
    Girl, my mind was always full of you
    Girl, waste no time because I wanna tell you it's true

    That I love you and you love me
    we're gonna make a happy fa,ily
    I'm Rayi and that's it from me

    (Chorus)
    Don't run, because we about to have fun


    Editor : Dian Sukmawati

 

saco-indonesia.com, Memasang bracket TV memang tidaklah semudah menempatkan TV itu sendiri karena erat sekali hubungannya dengan

saco-indonesia.com, Memasang bracket TV memang tidaklah semudah menempatkan TV itu sendiri karena erat sekali hubungannya dengan lubang bor yang akan membekas ketika kita memindahnya. Jika tidak tepat, bukan hanya sisa bekas bor yang tidak sedap dipandang saja , namun juga rumitnya ketika kita menambal dinding sisa bekas bor tersebut. Nah, agar leih cepat dan tepat, berikut saya sajikan tips untuk memasang bracket TV dinding.

Tips untuk Memasang Bracket TV di Dinding
Dalam memasang bracket TV yang baik, ada beberapa hal yang harus kita pertimbangkan, sehingga kita akan merasa aman dan nyaman dalam menempatkan serta menonton TV tersebut. Dari pengalaman saya selama ini, dalam memasang bracket TV dinding perlu mengikuti langkah-langkah berikut:

Tentukan Lokasi
Penentuan lokasi ini juga sangat penting karena disitulah TV kita akan kita tonton, dan tentu masing-masing ruangan telah memiliki tingkat kenyamanan sendiri. Sobat bisa saja menempatkan bracket TV di kamar atau ruang tamu. Setelah itu, usahakan bracket dipasang di dekat stop kontak, sekaligus akan menghadap kemana.

Gunakan Water Pass
Agar posisi TV nantinya akan simetris dan tidak miring, usahakan harus menandai titik dinding yang akan kita bor dengan menggunakan pencil. Ukur kesamaan tingginya memakai water pass, yang dapat sobat gangi dengan menggunakan selang yang diisi air. Ketepatan posisi kanan kiri tidak hanya akan memberi kenyamanan ketika menonton TV, namun juga seni yang sesuai estetika. Bayangkan jika TV kita posisikan miring.

Pastikan kekuatan dinding
Setelah memberi tanda titik yang sesuai dan sama tinggi, pastikan kekuatan dinding yang akan sobat bor. Umumnya, fischer (penahan skrup di dinding) akan dapat menempel sempurna jika tertanam pada benda keras, seperti batako atau batu bata. Fischer tidak akan menancap sempurna ketika telah diletakkan di sekat antara batu bata di dinding.

Coba dengan beban yang lebih berat
Setelah bracket terpasang, ukur kekuatannya dengan menggunakan barang yang beratnya dua kali lipat dari berat LED TV sobat. Jika perlu, pakailah bracket itu untuk bergelantung untuk memastikan kekuatan bracket setelah terpasang di dinding. Tentu sobat tidak ingin LED TV sobat tiba-tiba jatuh karena bracket tidak kuat menahannya bukan?

Pasang TV dengan hati-hati
Memasang TV ke bracket umumnya telah membutuhkan teknik khusus agar skrup-skrup terpasang sempurna. Cari teman atau bantuan untuk memegang TV disaat sobat memasang skrup-skrup tersebut. Jadi intinya, TV dipsang terakhir setelah bracket terpasang.

Itulah sekilas tentang tips memasang bracket TV di dinding. Memang agak rumit, namun dengan kehati-hatian dan ketepatan dalam memasangnya, hasilnya akan sangat elegan. TV sobat tidak hanya nyaman ditonton namun juga memberikan nuansa interior ruangan yang lebih indah. Selamat mencoba dan semoga sukses. Salam.


Editor : Dian Sukmawati

Photo
 
Many bodies prepared for cremation last week in Kathmandu were of young men from Gongabu, a common stopover for Nepali migrant workers headed overseas. Credit Daniel Berehulak for The New York Times

KATHMANDU, Nepal — When the dense pillar of smoke from cremations by the Bagmati River was thinning late last week, the bodies were all coming from Gongabu, a common stopover for Nepali migrant workers headed overseas, and they were all of young men.

Hindu custom dictates that funeral pyres should be lighted by the oldest son of the deceased, but these men were too young to have sons, so they were burned by their brothers or fathers. Sukla Lal, a maize farmer, made a 14-hour journey by bus to retrieve the body of his 19-year-old son, who had been on his way to the Persian Gulf to work as a laborer.

“He wanted to live in the countryside, but he was compelled to leave by poverty,” Mr. Lal said, gazing ahead steadily as his son’s remains smoldered. “He told me, ‘You can live on your land, and I will come up with money, and we will have a happy family.’ ”

Weeks will pass before the authorities can give a complete accounting of who died in the April 25 earthquake, but it is already clear that Nepal cannot afford the losses. The countryside was largely stripped of its healthy young men even before the quake, as they migrated in great waves — 1,500 a day by some estimates — to work as laborers in India, Malaysia or one of the gulf nations, leaving many small communities populated only by elderly parents, women and children. Economists say that at some times of the year, one-quarter of Nepal’s population is working outside the country.

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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