jual ruko

Rp 1.820.000.000

Tempat HomeStay Murah Depok RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL).

Tempat HomeStay Murah Depok RumahCantikku.com adalah salah satu devisi dari KATV Group untuk yang bergerak di bidang agen properti. Saat ini baru menawarkan properti-properti KATV Group yang ada di beberapa kota untuk dijual. Jadi properti yang ditawarkan adalah milik sendiri. Tempat HomeStay Murah Depok

Tempat HomeStay Murah Depok

    saco-indonesia.com,     We go by the name of R, A to the N     We're th

    saco-indonesia.com,

    We go by the name of R, A to the N
    We're three normal guys tryin to make new friends by
    Making music that you guys understand
    And if you guys like it, we appreciate it, then..
    Let's start the show, rock the boat, but don't stop because you can't stop the flow
    Go on dressed up, because the party's about to start on one, two, three, four!

    (Chorus)

    Indahnya warna warni dunia dunia yang terasa indah di dalam asaku
    Oh betapa indah hidup ini saat ku dimabuk asmara
    Oo getar-getar cinta yang telah tumbuh diantara kita
    Menambah indahnya kisah cinta kita berdua

    (Chorus)

    Yeah, when I saw you on friendster
    Then I added you as my friend
    Girl, my mind was always full of you
    Girl, waste no time because I wanna tell you it's true

    That I love you and you love me
    we're gonna make a happy fa,ily
    I'm Rayi and that's it from me

    (Chorus)
    Don't run, because we about to have fun


    Editor : Dian Sukmawati

 

Rasulullah (R) bertanya : “Apa yg kau rasakan jika melihat seseorang dari umatku hendak shalat?” Iblis (I) menj



Rasulullah (R) bertanya : “Apa yg kau rasakan jika melihat seseorang dari umatku hendak shalat?”
Iblis (I) menjawab: “aku merasa panas dingin dan gemetar”
R: “kenapa?”
I: “Sebab setiap seorang hamba besujud1X kepada Allah, Allah mengangkatnya 1 derajat”
R: “jika seorang umatku berpuasa?”
I: “tubuhku terasa terikat hingga ia berbuka”
R: “jika ia berhaji?”
I: “aku seperti orang gila”
R: “jika ia membaca Al-Quran?”
I: “aku merasa meleleh laksana timah diatas api”
R: “jika ia bersedekah?”
I: “itu sama saja org tsb m'belah tubuhku dgn gergaji”
R: “mengapa bisa begitu?“
I: ”sebab dalam sedekah ada 4 keuntungan baginya, yaitu :
1. Keberkahan dlm hartanya,
2. Hidupnya disukai,
3. Sedekah itu kelak akan menjadi hijab antara dirinya dgn api neraka,
4. Terhindar dari segala macam musibah akan terhalau dr dirinya,
R: “apa yg dapat mematahkan pinggangmu?”
I: “suara kuda perang di jalan Allah.”
R: “apa yg dapat melelehkan tubuhmu?”
I: “taubat org yg bertaubat”
R: “apa yg dpt membakar hatimu?”
I: “istigfar di waktu siang & malam”
R: “apa yg dpt mencoreng wajahmu?”
I: “sedekah yg diam2”
R: “apa yg dpt menusuk matamu?”
I: “shalat fajar”
R: “apa yg dpt memukul kepalamu?”
I: “shalat berjamaah”
R: “apa yg paling mengganggumu”
I: “majelis para ulama”
R: “bagaimana cara makanmu?”
I: “dengan tangan kiri dan jariku”
R: “dimanakah kau menaungi anak2mu di musim panas?”
I: “dibawah kuku manusia”
R: “siapa temanmu wahai iblis?”
I: “pezina”
R: “siapa teman tidurmu?”
I: “pemabuk”
R: “siapa tamumu?”
I: “pencuri”
R: “siapa utusanmu?”
I: “tukang sihir (dukun)”
R: “apa yg membuatmu gembira?”
I: “bersumpah dgn cerai”
R: “siapa kekasihmu?”
I: “org yg meninggalkan Sholat Jum'at”
R: “siapa manusia yg paling membahagiakanmu ?"
I: “org yg meninggalkan shalatnya dgn sengaja”

Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”
Todd Heisler/The New York Times

Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”

Hard but Hopeful Home to ‘Lot of Freddies’

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

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