Jual rumah di bogor

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Tipe Rumah Nyaman Murah Sentul RumahCantikku.com adalah agen properti yang berkator di KATV Group, Saladin Square B-12, Jl. Margonda Raya No.39, Depok, Jawa Barat. KATV Group adalah group usaha di baah bendera PT Kiprah Tiga Rancang (KITIRAN), dimana core bisnisnya adalah Pengelolaan dan Advertising KATV (Televisi Kabel Kereta Api Eksekutif ), yaitu televisi hiburan bagi penumpang di atas kereta api eksekutif. Selain itu KITIRAN juga bergerak di bidang advertising untuk promosi luar ruang khusus stasiun-stadiuan dan promsoi di dalam kereta eksekutif dan kereta komuter (KRL).

Tipe Rumah Nyaman Murah Sentul RumahCantikku.com adalah salah satu devisi dari KATV Group untuk yang bergerak di bidang agen properti. Saat ini baru menawarkan properti-properti KATV Group yang ada di beberapa kota untuk dijual. Jadi properti yang ditawarkan adalah milik sendiri. Tipe Rumah Nyaman Murah Sentul

Tipe Rumah Nyaman Murah Sentul

Di dalam olah data baik secara manual maupun dengan komputerisasi terdiri dari tiga tahapan dasar yaitu input, proses, output. D

Di dalam olah data baik secara manual maupun dengan komputerisasi terdiri dari tiga tahapan dasar yaitu input, proses, output. Dan tiga tahapan dasar tersebut dapat dikembangkan menjadi :

a. Orginating-recording (pencatatan)
tahapan ini berhubungan dengan proses pengumpulan data yang biasanya merupakan proses pencatatan (recording) data ke dokumen dasar atau formulir.

B. Classifiying (klasifikasi)
tahapan ini memberikan identitas atau pengklasifikasian dalam data yang akan diolah, apakah identifikasi tersebut dilakukan untuk satu kelompok atau beberapa kelompok dari data yang nantinya merupakan karakteristik dari data yang bersangkutan

c. Sorting (penyusunan)
setelah data–data yang akan diolah diberikan identifikasi seperti diatas, maka data tersebut mungkin perlu diatur atau disusun sedemikian rupa, contohnya urutkan menurut kode klasifikasinya

d. Calculating (perhitungan)
disini data dimanipulasi seperti pelaksanaan perhitungan– perhitungan atau disebut calculating

e. Summarizing (penyusunan laporan)
untuk memungkinkan dilakukan analisa terhadap data atau informasi yang dihasilkan, diperlukan penyimpulan atau pembuatan rekapitulasi laporan sesuai dengan keinginan pemakai informasi

f. Storing (penyimpanan)
storing atau penyimpanan data dan informasi yang sejenis ke dalam file untuk referensi dimasa yang akan datang perlu dilakukan. Dan media penyimpanan ada beberapa macam, disesuaikan dengan metode dan peralatan yang dipakai dalam sistem pengolahan data, seperti disk, kartu, dokumen

g. Retrieving (pencarian)
di dalam file yang disimpan, pencarian data atau retrieving biasa digunakan dengan cara penyimpanannya, terutama jika pengolahan datanya menggunakan komputer

h. Communicating (komunikasi )
dalam proses olah data menjadi informasi, sampai informasi tersebut dipakai oleh user. Diperlukan suatu komunikasi sehinnga mempermudah proses pengolahan data menjadi informasi

i. Reproducing (penggandaan )
untuk pengamanan apabila data hilang atau rusak, juga untuk keperluan perusahaan lainnya bisa dilakukan dengan penggandaan dengan menggunakan mesin photocopy, disk, magnetic tape

 

Tips Memilih Lampu Tipe lampu rumah Saat ini, hampir di setiap rumah pasti telah memiliki lampu. Lampu listrik yang umum digu

Tips Memilih Lampu

Tipe lampu rumah Saat ini, hampir di setiap rumah pasti telah memiliki lampu. Lampu listrik yang umum digunakan sebagai penerang untuk rumah tinggal, dapat dibedakan menjadi 3 golongan besar, yaitu lampu pijar, lampu halogen dan lampu berpendar (fluorescent). Saat ini juga telah hadir lampu LED yang lebih hemat dan efisien.

Banyaknya jenis lampu yang beredar saat ini telah membuat Anda harus perlu memperhatikan faktor apa saja yang perlu Anda pertimbangkan saat memilih lampu. Berikut ini ada beberapa faktor yang dapat Anda pertimbangkan saat memilih lampu untuk rumah anda:

Kondisi Lingkungan

Penempatan lampu juga perlu disesuaikan dengan kondisi lingkungan. Misalnya, untuk lampu yang diletakkan di luar sebaiknya dengan menggunakan bahan stainless steel, alumunium atau besi yang sudah dicat antikarat karena mungkin kelembaban di luar ruangan lebih tinggi.

Penempatan Lampu

Menentukan titik-titik penempatan lampu biasanya adalah hal utama yang biasanya telah dilakukan. Anda mungkin akan mempertimbangkan juga lampu mana yang akan ditanam di dinding atau plafon. Hal ini telah dilakukan sebelum Anda membangun atau merenovasi rumah.

Model Lampu

Sesuaikan model lampu dengan karakter rumah. Lampu dengan desain tradisional klasik tentu akan terlihat aneh bila ditempatkan pada rumah yang telah memiliki konsep modern minimalis atau sebaliknya.

Warna Cahaya Lampu

Menentukan warna cahaya lampu yang ingin digunakan. Lampu dengan karakter cahaya kuning disinyalir mampu untuk membangkitkan suasana yang hangat dan romantis, sehingga sangat cocok ditempatkan di ruang tidur atau ruang lain yang digunakan untuk bersantai. Sementara cahaya putih lebih cocok digunakan di tempat kerja. Penentuan warna cahaya ini dengan sendirinya akan dapat membimbing Anda menentukan pilihan antara lampu neon dan lampu pijar.

Karakteristik Lampu

Sifat lampu yang memancarkan panas juga dapat dijadikan faktor penimbang saat Anda memilih rumah lampu (fitting). Sebagai satu kesatuan, rumah lampu yang Anda pilih sebaiknya tahan terhadap panas, tidak mudah leleh dan tidak mudah terbakar. Selain itu, anda juga dapat menggunakan sifat panas yang dipancarkan lampu di ruangan yang terkesan lembab untuk dapat mengeringkan dan mengurangi kelembaban ruangan.

Efisiensi

Jika anda menginginkan tagihan listrik bulanan yang lebih murah, anda pastinya perlu memilih lampu LED sebagai sarana penerangan utama anda. Dengan lampu LED, anda akan mendapatkan cahaya yang terang dengan daya listrik yang relatif kecil. Selain itu juga, cahaya yang dihasilkan oleh lampu LED tidak panas.


Editor : Dian Sukmawati

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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